| ...words and pictures can work together to | "Simply look with perceptive eyes at the |
| communicate more powerfully than either | world about you, and trust to your own |
| alone. -William Albert Allard | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| I think you have to have a real point of view | and dream? Can I visualize a print - my own |
| that's your own. You have to tell it your way. | personal statement of what I feel and want to |
| And, I think that it's a mistake to shoot for a | convey - from the subject before me?" |
| specific magazine's point of view because it's | - Ansel Adams |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | There is nothing worse than a sharp image of |
| believe it. - Mary Ellen Mark | a fuzzy concept. - Ansel Adams |
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Houston |
Cincinnati |
New Orleans |
Oklahoma City |
Orlando |
Portland |
Macon |
Allentown |
Fairfax |
Tampa |
Greenwood |
Fairbanks |
Santa Monica |
Darien |
Syracuse |
Vista |
North Vernon |
Moulton |
Statesville |
St. Clairsville |
Reseda |
North Haven |
Jerseyville |
Ville Platte |
Jeffersonville |
Florence |
Boone |
Richardson |
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| A picture is the expression of an impression. If | One should really use the camera as though |
| the beautiful were not in us, how would we | tomorrow you'd be stricken blind. |
| ever recognize it? - Ernst Haas | - Dorothea Lange |
| | |
| A room hung with pictures is a room hung with | A mad, keen photographer needs to get out |
| thoughts. - Sir Joshua Reynolds | into the world and work and make mistakes. |
| | - Sam Abell |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | My own eyes are no more than scouts on a |
| situation nearly as interesting as | preliminary search, for the camera's eye may |
| photographing the edges. - William Albert | entirely change my idea. - Edward |
| Allard | Weston |
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