| You've got to push yourself harder. You've got | I almost never set out to photograph a |
| to start looking for pictures nobody else could | landscape, nor do I think of my camera as a |
| take. You've got to take the tools you have and | means of recording a mountain or an animal |
| probe deeper. - William Albert Allard | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| Photography records the gamut of feelings | Rowell |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | The virtue of the camera is not the power it |
| wealth and confusion man has created. | has to transform the photographer into an |
| - Edward Steichen | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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Houston |
New York |
Portland |
Phoenix |
Birmingham |
Providence |
Santa Ana |
Hollywood |
Hattiesburg |
Union |
New Iberia |
Palatka |
Lambertville |
North Richland Hills |
Maplewood |
Gretna |
Fair Lawn |
Savannah |
Emporia |
Earth City |
Rockdale |
Hickory |
St Charles |
Gilroy |
Ogdensburg |
Moultrie |
Crete |
Pickwick Dam |
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| Sometimes you can tell a large story with a | "Simply look with perceptive eyes at the |
| tiny subject. - Eliot Porter | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| I think the best pictures are often on the edges | "Does this subject move me to feel, think |
| of any situation, I don't find photographing the | and dream? Can I visualize a print - my own |
| situation nearly as interesting as | personal statement of what I feel and want to |
| photographing the edges. - William Albert | convey - from the subject before me?" |
| Allard | - Ansel Adams |
| | |
| No place is boring, if you've had a good | It is not the language of painters but the |
| night's sleep and have a pocket full of | language of nature which one should listen to. |
| unexposed film. - Robert Adams | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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