| Memory is very important, the memory of | A mad, keen photographer needs to get out |
| each photo taken, flowing at the same speed | into the world and work and make mistakes. |
| as the event. During the work, you have to be | - Sam Abell |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Photography suits the temper of this ageof |
| be too late. - Henri Cartier Bresson | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| Photography is about finding out what can | ideas, imagery, for a prolific worker who |
| happen in the frame. When you put four | would be slowed down by painting or |
| edges around some facts, you change those | sculpting, for one who sees quickly and acts |
| facts. - Gary Winogrand | decisively, accurately. - Edward Weston |
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San Francisco |
Charlotte |
Modesto |
Garner |
Jupiter |
Everett |
Kingwood |
Bloomsburg |
Kenmore |
Simi Valley |
Susanville |
Travelers Rest |
Columbus |
Hackensack |
Safford |
San Marcos |
Youngstown |
Eureka Springs |
Columbus |
Hiram |
Pageland |
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| [Photography] is a way of feeling, of touching, | A room hung with pictures is a room hung with |
| of loving. What you have caught on film is | thoughts. - Sir Joshua Reynolds |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | A good picture is equivalent to a good deed. |
| - Aaron Siskind | - Vincent Van Gogh |
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| It is not the language of painters but the | I think the best pictures are often on the edges |
| language of nature which one should listen to. | of any situation, I don't find photographing the |
| . . . The feeling for the things themselves, for | situation nearly as interesting as |
| reality, is more important than the feeling for | photographing the edges. - William Albert |
| pictures. - Vincent Van Gogh | Allard |
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