| [Photography] is a way of feeling, of touching, | Photography is a major force in explaining |
| of loving. What you have caught on film is | man to man. - Edward Steichen |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | Pictures you have taken have an influence on |
| - Aaron Siskind | those that you are going to make. |
| | That's life! - John Sexton |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | Photography records the gamut of feelings |
| reactions and convictions. Ask yourself: | written on the human face, the beauty of the |
| "Does this subject move me to feel, think | earth and skies that man has inherited and the |
| and dream? Can I visualize a print - my own | wealth and confusion man has created. |
| personal statement of what I feel and want to | - Edward Steichen |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|
|
San Diego |
Chicago |
Athens |
Fair Lawn |
Everett |
Gainesville |
Albertville |
Bay City |
North Platte |
Austin |
Rocky Mount |
Roxboro |
Monroeville |
Doniphan |
Athens |
Hesperia |
Fairview Heights |
Lapeer |
Hyannis |
Fontana |
Golden |
Bellevue |
Henderson |
Sterling |
Springfield |
California |
Columbus |
|
|
| A good picture is equivalent to a good deed. | Photography suits the temper of this ageof |
| - Vincent Van Gogh | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| No place is boring, if you've had a good | ideas, imagery, for a prolific worker who |
| night's sleep and have a pocket full of | would be slowed down by painting or |
| unexposed film. - Robert Adams | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | The difficulty with color is to go beyond the |
| ever recognize it? - Ernst Haas | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|