| One should really use the camera as though | You've got to push yourself harder. You've got |
| tomorrow you'd be stricken blind. | to start looking for pictures nobody else could |
| - Dorothea Lange | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Photography records the gamut of feelings |
| colorful picture but really be a picture about | written on the human face, the beauty of the |
| something. It's difficult. So often color gets | earth and skies that man has inherited and the |
| caught up in color, and it becomes merely | wealth and confusion man has created. |
| decorative. Some photographers use [ it ] | - Edward Steichen |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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|
Houston |
Sacramento |
Savannah |
Amarillo |
Columbia |
Stockton |
Hampton |
Killeen |
Farmington |
Brockton |
Port Huron |
Pocahontas |
San Marcos |
Centreville |
San Carlos |
Lansing |
Old Saybrook |
Wethersfield |
Lexington |
Saginaw |
Driggs |
Wickliffe |
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| [Photography] is a way of feeling, of touching, | A picture is the expression of an impression. If |
| of loving. What you have caught on film is | the beautiful were not in us, how would we |
| captured forever . . . it remembers little things, | ever recognize it? - Ernst Haas |
| long after you have forgotten everything. | |
| - Aaron Siskind | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| Once photography enters your bloodstream, | situation nearly as interesting as |
| it's like a disease. - Anon | photographing the edges. - William Albert |
| | Allard |
| Photography is my passion. - Alfred | |
| Stieglitz | |
|