| Above all, it's hard learning to live with vivid | A room hung with pictures is a room hung with |
| mental images of scenes I cared for and failed | thoughts. - Sir Joshua Reynolds |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | You learn to see by practice. It's just like |
| assurance that the best photographs are yet to | playing tennis, you get better the more you |
| be made. - Sam Abell | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| Photography takes an instant out of time, | more you realize what can be photographed |
| altering life by holding it still. - Dorothea | and what can't be photographed. You just have |
| Lange | to keep doing it. - Eliot Porter |
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Philadelphia |
Rochester |
Washington |
Miami |
St. Paul |
Jackson |
Tampa |
Fullerton |
Pasadena |
Amsterdam |
Russellville |
Marshalltown |
North Brunswick |
Cheboygan |
Shelton |
Cedar Rapids |
Dickson |
Morrow |
Oneonta |
Plymouth |
Fayetteville |
Spartanburg |
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| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Photography suits the temper of this ageof | captured everything, because afterwards it will |
| active bodies and minds. It is a perfect | be too late. - Henri Cartier Bresson |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | ...words and pictures can work together to |
| would be slowed down by painting or | communicate more powerfully than either |
| sculpting, for one who sees quickly and acts | alone. -William Albert Allard |
| decisively, accurately. - Edward Weston | |
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