| A great photograph is one that fully expresses | The difficulty with color is to go beyond the |
| what one feels, in the deepest sense, about | fact that it's color to have it be not just a |
| what is being photographed. - Ansel | colorful picture but really be a picture about |
| Adams | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| I think the best pictures are often on the edges | decorative. Some photographers use [ it ] |
| of any situation, I don't find photographing the | brilliantly to make visual statements combining |
| situation nearly as interesting as | color and content; otherwise it is empty. |
| photographing the edges. - William Albert | - Mary Ellen Mark |
| Allard | |
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Houston |
Minneapolis |
Lexington |
Spokane |
Tyler |
Metairie |
Long Beach |
Evansville |
Westminster |
Coon Rapids |
Matthews |
Westfield |
Greenville |
Oxford |
Ainsworth |
Fayetteville |
Richland Center |
Voorhees |
York |
Alsip |
Cisco |
Oroville |
North Charleston |
Cerritos |
Moriarty |
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| There is nothing worse than a sharp image of | Photography is a major force in explaining |
| a fuzzy concept. - Ansel Adams | man to man. - Edward Steichen |
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| Photography is my passion. - Alfred | You've got to push yourself harder. You've got |
| Stieglitz | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| Above all, it's hard learning to live with vivid | probe deeper. - William Albert Allard |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | Photography knows how to authenticate its |
| me of these unmade images that is the only | misrepresentations. - Mason Cooley |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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