| The virtue of the camera is not the power it | Memory is very important, the memory of |
| has to transform the photographer into an | each photo taken, flowing at the same speed |
| artist, but the impulse it gives him to keep on | as the event. During the work, you have to be |
| looking. - Brooks Anderson | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| I almost never set out to photograph a | be too late. - Henri Cartier Bresson |
| landscape, nor do I think of my camera as a | |
| means of recording a mountain or an animal | You've got to push yourself harder. You've got |
| unless I absolutely need a 'record shot'. My | to start looking for pictures nobody else could |
| first thought is always of light. - Galen | take. You've got to take the tools you have and |
| Rowell | probe deeper. - William Albert Allard |
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Philadelphia |
St. Louis |
Pensacola |
New York |
Lowell |
Athens |
Fort Collins |
Las Vegas |
Southfield |
Fort Smith |
Kennett Square |
Columbus |
Mountain View |
Smyrna |
Columbus |
College Station |
Logan |
Panama City |
Carthage |
Hollister |
Longwood |
Fridley |
Dunkirk |
Safety Harbor |
Dover |
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| I think the best pictures are often on the edges | "Simply look with perceptive eyes at the |
| of any situation, I don't find photographing the | world about you, and trust to your own |
| situation nearly as interesting as | reactions and convictions. Ask yourself: |
| photographing the edges. - William Albert | "Does this subject move me to feel, think |
| Allard | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| Keep it simple. - Alfred Eienstaedt | convey - from the subject before me?" |
| | - Ansel Adams |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | There is nothing worse than a sharp image of |
| | a fuzzy concept. - Ansel Adams |
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