| [Photography] is a way of feeling, of touching, | The virtue of the camera is not the power it |
| of loving. What you have caught on film is | has to transform the photographer into an |
| captured forever . . . it remembers little things, | artist, but the impulse it gives him to keep on |
| long after you have forgotten everything. | looking. - Brooks Anderson |
| - Aaron Siskind | |
| | Photography suits the temper of this ageof |
| It is not the language of painters but the | active bodies and minds. It is a perfect |
| language of nature which one should listen to. | medium for one whose mind is teeming with |
| . . . The feeling for the things themselves, for | ideas, imagery, for a prolific worker who |
| reality, is more important than the feeling for | would be slowed down by painting or |
| pictures. - Vincent Van Gogh | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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New York |
Madison |
San Diego |
Santa Ana |
Novato |
Birmingham |
New Brunswick |
Atmore |
Pennsville |
Duncanville |
Ludington |
La Plata |
Layton |
Lancaster |
Cypress |
Cape Canaveral |
Idabel |
Henderson |
Lenexa |
Livingston |
Watertown |
Tucson |
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| I think you have to have a real point of view | You can find pictures anywhere. It's simply a |
| that's your own. You have to tell it your way. | matter of noticing things and organizing them. |
| And, I think that it's a mistake to shoot for a | You just have to care about what's around you |
| specific magazine's point of view because it's | and have a concern with humanity and the |
| never going to be as good. You have to shoot | human comedy. - Elliott Erwitt |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| Memory is very important, the memory of | unexposed film. - Robert Adams |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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