| The virtue of the camera is not the power it | Sometimes you can tell a large story with a |
| has to transform the photographer into an | tiny subject. - Eliot Porter |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| Photography suits the temper of this ageof | play. The more you look around at things, the |
| active bodies and minds. It is a perfect | more you see. The more you photograph, the |
| medium for one whose mind is teeming with | more you realize what can be photographed |
| ideas, imagery, for a prolific worker who | and what can't be photographed. You just have |
| would be slowed down by painting or | to keep doing it. - Eliot Porter |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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Chicago |
Cincinnati |
Lincoln |
Flint |
Tucson |
Poughkeepsie |
Oceanside |
Baltimore |
Rockville |
Bend |
North Vernon |
Statesboro |
Colorado Springs |
St. Charles |
Greensburg |
Middleboro |
Mansfield |
Fort Morgan |
The Dalles |
Wauseon |
Delano |
Burnet |
Falls Church |
Danbury |
Fishers |
Canton |
Bronx |
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| There is nothing worse than a sharp image of | You've got to push yourself harder. You've got |
| a fuzzy concept. - Ansel Adams | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| Now to consult the rules of composition before | probe deeper. - William Albert Allard |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | Photography records the gamut of feelings |
| Such rules and laws are deduced from the | written on the human face, the beauty of the |
| accomplished fact; they are the products of | earth and skies that man has inherited and the |
| reflection . . . - Edward Weston | wealth and confusion man has created. |
| | - Edward Steichen |
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