| You learn to see by practice. It's just like | You've got to push yourself harder. You've got |
| playing tennis, you get better the more you | to start looking for pictures nobody else could |
| play. The more you look around at things, the | take. You've got to take the tools you have and |
| more you see. The more you photograph, the | probe deeper. - William Albert Allard |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | Photography is about finding out what can |
| to keep doing it. - Eliot Porter | happen in the frame. When you put four |
| | edges around some facts, you change those |
| A great photograph is one that fully expresses | facts. - Gary Winogrand |
| what one feels, in the deepest sense, about | |
| what is being photographed. - Ansel | |
| Adams | |
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Philadelphia |
Washington |
Atlanta |
Indianapolis |
Los Angeles |
Kansas City |
Houston |
Boston |
Canton |
Jonesboro |
Great Falls |
Lewisville |
Moore |
Morehead |
Oshkosh |
Kalamazoo |
Everett |
Middleboro |
Provo |
Glendora |
Brownsville |
Lancaster |
Virginia Beach |
Statesville |
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| "Simply look with perceptive eyes at the | Photography suits the temper of this ageof |
| world about you, and trust to your own | active bodies and minds. It is a perfect |
| reactions and convictions. Ask yourself: | medium for one whose mind is teeming with |
| "Does this subject move me to feel, think | ideas, imagery, for a prolific worker who |
| and dream? Can I visualize a print - my own | would be slowed down by painting or |
| personal statement of what I feel and want to | sculpting, for one who sees quickly and acts |
| convey - from the subject before me?" | decisively, accurately. - Edward Weston |
| - Ansel Adams | |
| | My own eyes are no more than scouts on a |
| It is not the language of painters but the | preliminary search, for the camera's eye may |
| language of nature which one should listen to. | entirely change my idea. - Edward |
| . . . The feeling for the things themselves, for | Weston |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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