| Memory is very important, the memory of | One should really use the camera as though |
| each photo taken, flowing at the same speed | tomorrow you'd be stricken blind. |
| as the event. During the work, you have to be | - Dorothea Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | My own eyes are no more than scouts on a |
| be too late. - Henri Cartier Bresson | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| I think you have to have a real point of view | Weston |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | I almost never set out to photograph a |
| specific magazine's point of view because it's | landscape, nor do I think of my camera as a |
| never going to be as good. You have to shoot | means of recording a mountain or an animal |
| for yourself and photograph [the way] you | unless I absolutely need a 'record shot'. My |
| believe it. - Mary Ellen Mark | first thought is always of light. - Galen |
| | Rowell |
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Chicago |
Dallas |
Sacramento |
Independence |
Sioux City |
Scottsboro |
Cypress |
Somerset |
Concord |
Topeka |
Santa Barbara |
Crystal Lake |
Xenia |
Poughkeepsie |
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Greer |
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Athens |
Abbeville |
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| Photography is my passion. - Alfred | I think the best pictures are often on the edges |
| Stieglitz | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| It is not the language of painters but the | photographing the edges. - William Albert |
| language of nature which one should listen to. | Allard |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | A good picture is equivalent to a good deed. |
| pictures. - Vincent Van Gogh | - Vincent Van Gogh |
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| Once photography enters your bloodstream, | Keep it simple. - Alfred Eienstaedt |
| it's like a disease. - Anon | |
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