| The difficulty with color is to go beyond the | A great photograph is one that fully expresses |
| fact that it's color to have it be not just a | what one feels, in the deepest sense, about |
| colorful picture but really be a picture about | what is being photographed. - Ansel |
| something. It's difficult. So often color gets | Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Keep it simple. - Alfred Eienstaedt |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | No place is boring, if you've had a good |
| - Mary Ellen Mark | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
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Houston |
Washington |
Philadelphia |
St. Louis |
Madison |
Honolulu |
Hamilton |
Corpus Christi |
Freeport |
Olean |
Bend |
Franklin |
Milford |
Versailles |
Redmond |
Galesburg |
Northfield |
Las Vegas |
Thomaston |
Waynesville |
Valentine |
Alma |
Indian Harbor Beach |
Silver City |
Moberly |
Midlothian |
Flora |
North Kansas City |
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| Photography records the gamut of feelings | Once photography enters your bloodstream, |
| written on the human face, the beauty of the | it's like a disease. - Anon |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | "Simply look with perceptive eyes at the |
| - Edward Steichen | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| ...words and pictures can work together to | "Does this subject move me to feel, think |
| communicate more powerfully than either | and dream? Can I visualize a print - my own |
| alone. -William Albert Allard | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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